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    <fireside:genDate>Tue, 07 Apr 2026 01:25:49 -0500</fireside:genDate>
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    <title>Outsider Theory - Episodes Tagged with “Da Vinci Code”</title>
    <link>https://outsidertheory.fireside.fm/tags/da%20vinci%20code</link>
    <pubDate>Sun, 27 Feb 2022 20:00:00 -0500</pubDate>
    <description>Outsider Theory is an interview-based podcast exploring the mutations of theories outside of the authorized spaces of intellectual life as well as theories of that ever-alluring figure, the outsider, and related subjects.    
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    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Theory on the outside, theory of the outside, outside of the theory </itunes:subtitle>
    <itunes:author>Geoff Shullenberger</itunes:author>
    <itunes:summary>Outsider Theory is an interview-based podcast exploring the mutations of theories outside of the authorized spaces of intellectual life as well as theories of that ever-alluring figure, the outsider, and related subjects.    
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    <itunes:keywords>critical theory, conspiracy theory, outsider intellectuals, outsiders, the outside </itunes:keywords>
    <itunes:owner>
      <itunes:name>Geoff Shullenberger</itunes:name>
      <itunes:email>gshullenb@gmail.com</itunes:email>
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  <title>The Invention of Symbology; or, Dan Brown, Part 2 (Angels and Demons &amp; The Da Vinci Code) with Pseud Dionysius MPH</title>
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  <pubDate>Sun, 27 Feb 2022 20:00:00 -0500</pubDate>
  <author>Geoff Shullenberger</author>
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  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Geoff Shullenberger</itunes:author>
  <itunes:subtitle>Pseud Dionysius MPH returns for an epic exploration of Dan Brown's turn from post-Cold War techno-thrillers to a new sort of novel, centered around the adventures of Harvard professor Robert Langdon, and of the persistent themes of Brown's writing: institutional crisis, elite succession, secrecy and revelation, and the need to restabilize knowledge. </itunes:subtitle>
  <itunes:duration>3:06:14</itunes:duration>
  <itunes:explicit>no</itunes:explicit>
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  <description>With the 2001 publication of Angels and Demons, Dan Brown shifted away from his early focus on the US security state and its post-Cold War identity crisis and introduced a new protagonist: Harvard professor of "Religious Symbology" Robert Langdon. This improbable hero's first two adventures transport him to the Old World and entangle him with a secretive institution far more ancient than the American deep state: the Roman Catholic Church. Curiously, the rise of Langdon signals Brown's turn away from the national security preoccupations of his early writing just as the 9/11 era brought the challenges facing the US state to the center of most people's attention. Despite its apparently obscure subject matter, 2003's The Da Vinci Code became a sensational hit –  one of the bestselling novels of all time – and turned Brown's fictional avatar Langdon into a household name worldwide. Pseud Dionysius MPH joins me once again to try to make sense of Brown's success at forging a new, global anti-postmodern mythology just as the "end of history" consensus of the 1990s was beginning to fracture.    
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  <itunes:keywords>dan brown, da vinci code, angels and demons, robert langdon, symbology, semiotics, institutions, succession, bloodlines, security state, secret societies, opus dei, priory of sion, the holy blood and the holy grail, pierre plantard </itunes:keywords>
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    <![CDATA[<p>With the 2001 publication of Angels and Demons, Dan Brown shifted away from his early focus on the US security state and its post-Cold War identity crisis and introduced a new protagonist: Harvard professor of &quot;Religious Symbology&quot; Robert Langdon. This improbable hero&#39;s first two adventures transport him to the Old World and entangle him with a secretive institution far more ancient than the American deep state: the Roman Catholic Church. Curiously, the rise of Langdon signals Brown&#39;s turn away from the national security preoccupations of his early writing just as the 9/11 era brought the challenges facing the US state to the center of most people&#39;s attention. Despite its apparently obscure subject matter, 2003&#39;s The Da Vinci Code became a sensational hit –  one of the bestselling novels of all time – and turned Brown&#39;s fictional avatar Langdon into a household name worldwide. Pseud Dionysius MPH joins me once again to try to make sense of Brown&#39;s success at forging a new, global anti-postmodern mythology just as the &quot;end of history&quot; consensus of the 1990s was beginning to fracture.   </p>]]>
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    <![CDATA[<p>With the 2001 publication of Angels and Demons, Dan Brown shifted away from his early focus on the US security state and its post-Cold War identity crisis and introduced a new protagonist: Harvard professor of &quot;Religious Symbology&quot; Robert Langdon. This improbable hero&#39;s first two adventures transport him to the Old World and entangle him with a secretive institution far more ancient than the American deep state: the Roman Catholic Church. Curiously, the rise of Langdon signals Brown&#39;s turn away from the national security preoccupations of his early writing just as the 9/11 era brought the challenges facing the US state to the center of most people&#39;s attention. Despite its apparently obscure subject matter, 2003&#39;s The Da Vinci Code became a sensational hit –  one of the bestselling novels of all time – and turned Brown&#39;s fictional avatar Langdon into a household name worldwide. Pseud Dionysius MPH joins me once again to try to make sense of Brown&#39;s success at forging a new, global anti-postmodern mythology just as the &quot;end of history&quot; consensus of the 1990s was beginning to fracture.   </p>]]>
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